Anyone who works in a school will know that Christmas (out of necessity) comes incredibly early each year. Now, I don’t know about you, but I’m definitely rather Grinch-like in my approach to the festive season, and I really don’t enjoy being bombarded with (often rather alarming) statistics about the rapidly decreasing number of sleeps until a certain event! For me personally, Christmas begins once all of the end of term performances have been successfully completed, the parents have been reminded of the exceptional power of music to genuinely move them, and the children have experienced that tremendous sense of satisfaction gained from knowing that they have been part of something special.
Having entered the final stages of the Autumn Term once more, I found myself reminiscing about the run-up to Christmas some 17 years ago.
I had just joined the staff as Director of Music, and I was ultimately keen to make my mark. I had put together an ambitious programme for the traditional service of Nine Lessons and Carols, organised a concert for our junior instrumentalists and (rather foolishly) decided that I could also fit in a performance of Herbert Chappell’s ‘The Christmas Jazz’ courtesy of our Year 3 pupils. Rookie error!
Well, the rehearsals had been something of a struggle (largely because I had grossly overestimated the ability of 7- and 8-year old children to commit large amounts of song lyrics to memory) and I found myself taking the dress rehearsal and genuinely wondering if we would make it safely from start to finish.
I had started by instructing the children that we needed to run through the whole work without stopping, and that they should be listening out for their cues, especially if they had a solo to perform. We had spoken (fairly exhaustively) about the need to learn their words (from the sheets which had been provided several weeks earlier) and to make sure that they knew where their part fitted in. Satisfied that we were all working to the same agenda, I took my place at the piano and looked up expectantly. Just as soon as most sets of eyes were looking in my direction (there’s always one, after all!) we began.
Everything started well. The young lady who was singing the opening solo did a fantastic job, and the rest of the year group joined in lustily for the first chorus. I began to relax. As we moved through some sizeable solos, all of the children seemed to have peaked at just the right time. I dared to hope that we were heading for chart topping success.
As we progressed through the performance, I sensed that we had company. Having furtively glanced behind me, I gleaned that the catering staff had emerged from the kitchens to listen and we had also been joined by the Headmaster. My desire for a smooth run instantly intensified.
With the cow, donkey, Mary and all three sheep having sailed through their respective solos it would soon all come down to the Wise Men. No less than 45 voices (potent in their sincerity) sang the ‘Gloria’ with gusto. And then… silence! Not a single Wise Man had sprung to his feet and, not for the first time that term, I began to wonder quite why I had entrusted such a crucial role to the three boys who (even now) seemed oblivious as to the reason why our dress rehearsal had spectacularly ground to a halt.
Utterly incensed, I leapt to my feet. I glowered in the direction of the three boys and enquired (rather acerbically) as to why they weren’t singing their trio? With a look of absolute bewilderment, one of the boys responded: “Because it’s not our turn yet, Miss.” With a withering look, I asked when he thought it might be his turn – after all we were within a few bars of the grand finale…
He reached for his word sheet, referred to it quickly, and fixed me with a look of pure defiance:
“It says here that we sing after the gorillas, and they haven’t sung yet!” he stated. For once, I was speechless. Gorillas?? Certainly not a feature of any nativity scene that I had encountered!
As I summoned up the energy to point this out, the penny finally dropped… In actual fact, his word sheet bore the instruction that ‘the Wise Men sing immediately after the Gloria’ – with hindsight, possibly not the most helpful of directions for a 7-year old boy suffering from dyslexia! Feeling rather contrite, I went on to explain just where the misunderstanding had occurred (much to the amusement of the entire catering staff) and we tried that section again.
Thankfully, having cleared up any confusion, the performance later that week went well. However, when ‘Love Actually’ was released (just a couple of weeks later), I found myself chuckling about the much-coveted role of ‘1st lobster’ and thinking that a ‘Gorilla’ was perhaps not all that far-fetched after all!